Showing posts with label best practices advice. Show all posts
Showing posts with label best practices advice. Show all posts

Wednesday, June 21, 2017

$100K Authors

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Written Word Media recently published a survey titled "What Makes a $100k Author?"

You can read the write-up here.

They shared 8 major conclusions:

1- The vast majority of  authors earning $100k per year or more have been writing for more than three years.

88% of the $100k authors have been at this for over three years. No surprise here. It takes time to build a catalog and and audience. This shouldn't be construed as a negative; only that patience is often required.

While I technically started self-publishing in 2004, the first several years were paperback-only, and then paperback plus Kindle in its nascence. If you include the first year Kindle was open to indie publishers, I was in my fourth year when I had my first $100k year. I was working full-time and busy with family and graduate school at the time, so it's doable even if you have a day job.

2- The majority of $100k authors responding to the survey were indie authors.

72% were pure indie, 28% were hybrid, although the numbers are skewed by the fact that almost all the respondents to the survey were pure indie. None of the traditionally published authors who responded to the survey earned $100k last year.

Struggling writers often like to dismiss the accomplishments of successful hybrids by saying, "You springboarded off your trad-pub career." These results demonstrate that pure indie is a viable path to publication.

3. The Wide vs Exclusive debate continues

Survey data indicates that 64% of 100k authors were in KDP Select, and the other 36% were "wide." This would seem to indicate that Select is the more viable path, but it's difficult to draw that conclusion without knowing other factors. For example, some genres perform much better  than others in Select. What we can say is that both are viable avenues to success, and KDP Select performed well for many authors in 2016.

4. $100k authors pay for cover art, but they don't pay through the nose


42% of authors earning less than $100k spent between $0 and $50 per book cover.
88% of $100k authors pay more than $50 per book cover
68% of $100k authors pay $250 or less for a book cover.
Only 20% of $100k authors paid more than $500 for a book cover and none spent over $1,000.

Some of this is chicken-and-egg. As an author earns more from publishing (s)he can afford better cover art. That said, I recommend at minimum budgeting for affordable, pre-made covers.

5. $100k authors use professional editors, but they don't pay as much as you might think

96% of $100k authors paid for professional editing.
44% of lower earning authors paid nothing for editing.
52% of $100k authors paid between $250 and $500 for editorial services and 68% spent $500 or less.
Only 12% of $100k authors paid $1,000 or more for editorial services.

These data points ruffled a lot of feathers among editors and elicited a variety of angry and or condescending comments. A few thoughts:

All authors don't need the same sorts of editorial support. Depending on the skills you're bringing to the table, your knowledge and experience, and the expectations of your readership, you might not need things like developmental edition. If you write clean and really know the rules, you might not need several rounds of proofing.  I've corresponded with and seen early drafts from successful trad-pub authors who have great ideas, tell fairly good stories, write engaging characters, but absolutely need that kind of support. They leave plot threads hanging, have continuity errors, are clueless about spelling, grammar, and usage. It all depends on what you need.

The average reader in most mainstream genres is looking for a clean, entertaining read with engaging characters. Most will forgive a few errors. Many won't even recognize most errors. (And an annoying few will complain about errors that aren't actually errors.) That's not to say you shouldn't try to make your book the best it can be, but you can enjoy commercial success without paying through the nose for the most expensive editing options.

6. $100k authors handle their own marketing, and use paid techniques

59% of $100k authors purchased paid advertising from Facebook, Amazon, and discount newsletters, as did 45% of lower earning authors. 
Lower-earning authors made 50% more in-person appearances/promotions/signings than did $100k authors.
Lower-earning authors made greater use of book giveaways than did $100k authors.

While the article did not specify, I think it's fair to assume that, while the percentages of authors using paid advertising are not substantially different, the dollars spent are likely skewed heavily in the direction of $100k authors.

It's interesting to me that two strategies I've found ineffective for generating sales (in-person appearances and book giveaways) are favored more by lower-earning authors. 

7.  A surprising number of $100k authors still have a day job

20% of $100k authors reported having a day job to help support their writing.

Earning $100k from writing isn't all it's cracked up to be. Taxes are a killer. You have no health insurance. Those two factors alone take a large chunk out of your income. If you're paying for cover art, editing, and advertising, that's a consideration as well.

There are, of course, other reasons to keep a day job. Some people enjoy their job and don't want to quit. Others like the security of a steady paycheck, given the uncertainty of publishing as a vocation. Some people don't like the solitary nature of the writing life, and enjoy having a job to go to. The findings illustrate that you can have both a job and a successful writing career if you wish.

8. The more hours you spend writing, the more successful you will be.

$100k authors spend 46% more time writing than lower income writers, yet they devote an almost identical amount of time to marketing (12 hours a week compared to 10.)

The average $100k authors has 33 books published, compared to 7 for lower earning authors.

-This probably doesn't need explanation. More books=more products for sale=more income. 
-An author needs to earn a little less than $274 a day to make $100k. That's a lot more attainable with 33 books than it is with 7.
-Before you freak out and wonder "How am I going to earn $275 a day?" remember- your new releases will have substantial sales at launch, meaning your back-catalog doesn't need to earn nearly that much a day, especially if you are publishing regularly.
-Remember that $275 figure includes all formats: ebook, audio, paperback.
-The article doesn't specify, but based on my observations, it's likely that the $100k authors with 33 or more titles are writing a lot of novellas and short novels. They aren't cranking out 30+ epic fantasies.


In summary:

I'm a big believe in patience and determination. It might take time to achieve commercial success, but you can do it. And, you can do it without breaking the bank. Don't be discouraged by those who will tell you that you have to spend thousands on cover and editing for your first book or subsequent books. Depending on your strengths, skills, and resources, you can work within a budget and improve your product as you go. Keep writing, and keep striving to improve.








Wednesday, June 7, 2017

Reaching New Readers Part 2- Paid Advertising

Listen to the Companion Podcast

Newsletters

Bookbub

  • Biggest and Best
  • Good for free or discount
  • Probably the only one that will directly pay for itself
  • Usually get a boost in other titles, especially if it's not book 1 of a series. 
  • Expensive. Cheaper for free, price goes up depending on genre and price point.
  • Difficult to get selected
 Getting selected:
  • The more reviews the better
  • Bundles better than single titles
  • Wide is better than KU
  • Free easier than discount?
  • Keep trying. Selections are seemingly arbitrary.
  •  Don't do it until you have 2-3 books in your catalog, otherwise you're wasting your visibility with no other books for the reader to buy. 

Bookbub Sponsored Ad
  • Works like Facebook ads- choose your target and pay for clicks
  • Seems best for free. 
  • Some results for 99 cents.
  • Not effective for full-price.
  • Good part of a launch strategy if launching at a discount.
  • Set a budget, know what you can afford to spend.

Other Newsletters
  • Lots of options
  • Most are not effective for anything other than free.
  • Can have some effectiveness if you stack them or if you just want to reach a few new readers.
  • Some only advertise Kindle books.
  • Easier to get accepted, especially if you're in KU.
  • Some have restrictions like: minimum number of reviews, only first book in series or standalone, only certain genres.

Newsletters to consider:

Freebooksy (great for free)
Robin Reads (also great for free)
Bknights (operates through Fiverr. Minimal results, but okay for the price.)
Booksends (some results for 99 cent books, good for free)
Kindle Nation Daily/Book Gorilla (not as effective as they once were, but okay)
Book Barbarian (SFF only, some restrictions. Okay results for the price.)

I know there are some effective Romance-only newsletters out there, but it's not my genre.
Lots of other bargain newsletters, but most are ineffective. Check the forums in places like Kboards, ask other authors about their experiences before spending your money.

AMS Ads
Only for books you've published through your own KDP dashboard. Can't do it for books published by someone else.
Can have a sponsored ad, can have Amazon auto-select keywords, or you can choose your own keywords.
I prefer custom keywords, loaded down with titles and authors from the genres I'm targeting.
Can refine keywords and bid amounts on keywords based on their effectiveness.
Can have up to 1,000 keywords.
Pay for clicks.
Results are not huge put tend to pay for themselves.
Very much worthwhile, especially at launch.

Facebook Ads
Diminishing results
Targeting specific authors and vendors.
Pay by click.
I use them sparingly as a part of my overall strategy.
Mark Dawson is the expert.

On a budget?
If your budget is limited, AMS ads are great, as well as in inexpensive newsletter like Bknights.



Wednesday, May 31, 2017

Reaching New Readers Part 1-Strategies and Practices




You’ve published your book (maybe two or three). You’ve used best practices. You’ve done everything you can to get off to a good start. Now your sales have stalled. How do you go about reaching beyond your existing audience and reaching new readers? 


Visibility is the key.
  • A reader can’t buy your books if (s)he doesn’t know it exists.
  • Even with Amazon, which is better than its competitors in terms of providing visibility, you won’t get much attention if your books aren’t selling.
How to get visible?
  • Write multiple books in the same genre (readers don’t tend to cross over), preferably in the same series. The more titles you have, the greater the chance someone will discover your work.
    • Make sure each book links to the next in your series.
  • Offer your first book at a discount or free.
    • Price pulsing- strategic, short-term price changes as a way of gaining visibility on bestseller lists or moving up on also-bought lists.
    • Be sure to spread the word when you do this.
  • Write a prequel and give that away for free (a short story could work in this case.)
    • Put a “call to action” right after “The End.” (Try my next book, join my mailing list.)
  • Write Kindle World stories for other authors in your genre.
    • Don’t need permission
    • Gets your name in front of readers in your genre
    • You can make a little money.
Social media

  • Facebook
    • Images perform better than just text.
      • Posts with hyperlinks are suppressed.
    • The more engagements (likes and comments) the more likely it will appear in others' feeds.
  • Twitter
    • Use an image.
    • Search out appropriate hashtags. 
    • Separate links for different stores, use their handle and hashtag.

Cross-promotion with other authors in your genre.
  • Announce one another’s new releases or special sales/giveaways.
  • Newsletter "swaps."
  • Boxed sets of your own books
    • Good for short-term promos.
    • Always have something at full price- don’t put everything in the set.
  • Boxed sets with other authors (not short story collections.)
    • Mutual promotional efforts
    • If you curate it, have a plan in place before you approach other authors.
  • Bundle Rabbit
Giveaways

  • Insta-Freebie- give away free ebooks, bring in new subscribers to newsletter, gain new readers. Free or paid options.
  • Goodreads giveaway- don’t give away more than a copy or two. Limited effectiveness.
  • Amazon giveaways- jury is out.
  • Wattpad- probably not much potential here, but some authors have had modest success, especially in YA/NA.



Next time- Paid Advertising

Wednesday, April 26, 2017

Indie Publishing Success- Best Practices

Listen to the companion podcast episode

This post is going to be very beginner-oriented, but hopefully vets will find something of value.

If you spend time on indie publishing forums or in author/publisher groups, you'll likely hear the term "best practices." While there's no hard-and-fast definition, "best practices" are the things indie authors can do that are generally a good idea, and have often proved effective for commercially successful authors. Obviously, there are no guarantees, but it's my belief that emulating the best practices of successful authors improves your odds of success greatly. Here are a few:

Produce a Quality Product 

Pay Attention to Craft 
 We covered this topic in detail here
*Attending to craft includes, but is not limited to things like:
*Writing Workshops
*Critique partners
*Reading widely

Identify and Study Your Genre/Subgenre 
*Make sure your work fits the tropes
*Study the bestseller lists and learn from the successful indies.
*Figure out what's selling and what isn't. Mass market readers don't necessarily want "unique," "new and different," or subversion of tropes. Most of the time, they want "more of the same."

Have a Good Book Cover
This should go without saying, but it doesn't. Take a look at Lousy Book Covers.
*Emulate the bestselling indies in your subgenre.
*Remember, the book cover is a sales tool, not an artistic reflection of the contents of your book. The cover needs to entice the reader and capture the general spirit of your book and subgenre. Don't pass up an amazing book cover because the cover model's hair is too short, etc...
*Don't clutter your book with a bunch of images from your book.
*If you can't afford a custom book cover, look for premade book covers. Lots of professional designers are making high-quality covers for a very reasonable price, and the price is only going to get lower as more and more artists offer premades. (I won't list sites here. A simple Google search will turn up plenty of results.)

Product Description
Some people call this the "blurb," "synopsis," or "back cover copy." In short, this is the description/summary of your book that will appear on your book's Amazon (or Nook, iBooks, Kobo...). There are many things that could be said about this, but in general:
*It's an ad, not a summary.
*Open with a hook. A couple of examples:
-A lost world has been found again... and no one is getting out alive. (The Valley by William Meikle.)
-Sometimes, the legends are true.(Primordial by yours truly and Alan Baxter.)
*Keep the description snappy and not overlong.
*Focus on what the story is about and what the character will face.
*This is not the place to load up on back-story. Don't tell us the history of your fantasy world, your character's life-story, etc...

*Learn from bestselling indie books in your subgenre.

Proofreading and Editing
*There are many editors professional content editors and proofreaders doing freelance work nowadays. Many are working both freelance for indies and traditional publishers. If you can afford it, it's possible to get trad-pub quality editing for your work.
*If you can't afford the best editors and proofreaders (yet), take steps to make your manuscript as clean as possible:
*Before making your final pass over the manuscript, change the font and font size. Some authors find this helps put them in different headspace and helps them catch errors.
*Read the book aloud to yourself.
*Read the book page-by-page beginning with the back page. This prevents you from focusing on the plot.
*Use a text-to-speech program to read the manuscript back to you.
*Use a program like Grammarly to help check for errors. (Note- a program like Grammarly will identify possible errors, but you will still have to be the judge of whether or not what you've written is incorrect. It will be of little help if you don't understand the rules of grammar and punctuation.)
*Get as many eyes on your manuscript as you can. Perhaps you can find people among your street team who are skilled editors.
*Network with other indies to find affordable editors and proofreaders. Check the Kboards Yellow Pages.

None of the above is intended to suggest you shouldn't hire an editor or proofer. I simply recognize that, for some people, it might be years before they can afford those services. I believe that if your book is well-written and you make it as clean as possible, readers will forgive a few mistakes. My first books had many mistakes and I've had them re-edited and proofed. It's not ideal, and I might have lost a few readers along the way, but that's my journey and it's turned out all right. I do encourage you to engage the services of good editors and proofers as soon as you can afford them.

Models/Mentors 
*Learn from the indie authors who are enjoying success in your subgenre. Look at how they go about their business. See if they've written blog posts or articles, or have given interviews in which they talk about their best practices. Understand and emulate those practices. (Please, do not contact authors and ask them to be your mentor. The successful authors are almost certainly too busy to take on a mentee and they'll feel guilty about saying "no.")
*Listen to podcasts like The Creative Penn, Self-Publishing Formula,  and Sci-Fi Fantasy Marketing Podcast for info and advice on the business and shows like Writing Excuses or The Roundtable Podcast for advice on the craft.

Be Careful About the Advice You Take
*Give greater consideration to those who are where you want to be in terms of commercial success. especially those who are succeeding in your genre.
*Does the person giving advice share your goals? If your goal is commercial success, the person whose focus is elsewhere might not be the best person to offer guidance.
*When it comes to business decisions, take the advice of indies who have "made it on their own" rather than "name" authors whose brand identity can overcome their publisher's bad marketing decisions. Also, if an author whose small-to-midsize publisher has cultivated a solid niche audience, beware when that author tells you "I don't worry about branding or marketing." In short, look for apples-to-apples publishing circumstances.
*Before handing money over to advice-givers, check to see if they're actually making a living selling fiction, or if they're actually making their living selling advice to authors in the form of workshops, books, etc... (It's a red flag if they say- "I make all my fiction money through my super-secret pen names.)
*Don't believe every indie conspiracy theory you read, especially about Amazon/algorithms.
*It's not all about luck. This could open a can of worms, so I'll cut to the chase: the harder I work, and the smarter I work, the luckier I get. Focus on what's within your control. Using best practices and learning from successful indies is no guarantee of success, but it gives you your best chance.

Publishing/Writing Considerations
*Be productive! Producing regular content is essential
*The longer you go between new releases, the sharper the sales decline.
*Writing novellas is a great way to keep a series going and produce regular content. My novellas sell almost as well as my full-length books, and the occasional "this is too short" review doesn't hurt sales.
*Short stories have their uses, but aren't particularly effective as tools for generating new sales/keeping momentum in the sales rankings.

*Writing a series tends to be much more effective than writing a variety of disconnected works.
*Putting out a new book in a series tends to lift the sales rankings of previous books in the series.
*Don't believe the old publishing "truism" that an author's books compete with one another. The opposite is actually true. Some indies have even found they can put out a book a month without detrimental effects on their catalog.

Consider Your Own Consumer Behavior
*Before spending money (or time) on a given strategy, ask yourself: has this particular strategy ever led me to buy a book? If so, how often?

*Here are some things that have never persuaded me to buy a book:
-Bookmarks
-SWAG (stuff we all get) bags
-Book Trailers
-Author TV/Radio appearances
-A Facebook ad proclaiming a given author as "better than..." This is an automatic "no" for me.

*Here are some things that have often persuaded me to buy a book:
-Recommendation from a friend who shares my reading interests.
-A sharp-looking book cover
-Finding the book in the also-boughts of my favorite authors.
-Finding the book in the besteller lists of my favorite genres.

Whew! This was a lengthy post. If you've made it to the end, thanks for reading and I hope you've found something useful.