Wednesday, May 24, 2017

Bestseller Charts and Sales Rankings

Listen to the companion podcast episode

Amazon created a stir by launching "Amazon Charts," which rank the twenty "Most Sold" and "Most Read" books in the Amazon ecosystem. The "Most Sold" chart differs from Amazon's current bestseller charts in that it's a weekly measure, rather than an hourly update, and it combines all the formats in which a title is available. Most read is interesting, because it combines data from Kindle and Audible to find out what readers are actually reading.

A few thoughts on Amazon and other bestseller charts:

Amazon

Aside from the Amazon charts, which are very new, we know Amazon sales rankings:
-Measures units sold, regardless of price (not counting free, which is a different chart.)
-Reflect sales over several days, with the most weight given to the current day, the previous day counting about half, the day before that half again, etc...
-Factor in borrows through the Kindle Unlimited program, but we don't know how much weight is given to those compared to sales.
-Assign different sales rankings to different versions of the same book (Kindle, Paperback, Hardback, Audiobook.)
-Amazon has many subcategories with their own lists, and some of the obscure ones only require a handful of sales to hit, which is why it seems like every indie author is an "Amazon bestseller."

We don't know much about the "Most Read" charts, save what is mentioned above. This one, however, will be interesting to keep an eye on. I noticed right away that five of the spots are occupied by Harry Potter books. The novelty books that often clog up the "major" bestseller lists aren't there, nor are books that are snapped up but go unread.

I do hope Amazon expands the "most read' list beyond a top-20, especially if titles like Harry Potter are going to occupy many of the slots.

There's a great deal of misinformation or unconfirmed information about the Amazon rankings, and a lot of conflation of rankings and "algorithms." A few things to remember:
-Unit price is not factored into rankings. A 99 cent Bookbub promo that moves three thousand copies will, at least temporarily, outrank a $14.99 trad-pub book that sells two thousand copies.
-Book reviews are not factored into sales rankings.
-Despite many rumors to the contrary, I've seen no evidence that Amazon artificially suppresses the rankings of "wide" books in favor of books that are Amazon-exclusive.

New York Times 
 The NYT list is arguably the most prestigious bestseller list in the United States. It does not, however, necessarily rank the "bestselling" books in the US. A couple of things to consider:
-The list is curated. NYT collects sales data from select vendors, makes rankings, and then subjectively culls the list. An author, especially an indie author, might outsell many of the authors on the NYT list in a given week, yet still be excluded.
-The list can be skewed by large orders placed by bookstores. Just because a store, or chain, orders a given number of books, that doesn't mean those books will be purchased by actual readers. Many will end up being returned.

USA Today List
USAT is generally considered to be a fairer and more accurate reflection of bestselling books than NYT. Its rankings are based on actual sales, using date from bookstores and online retailers. As an indie author, this is the list you're more likely to hit. It's still problematic for Kindle-only authors, because USAT requires that you reach a minimum threshold of sales on at least one vendor other than Amazon in order to hit the list. Consequently, in a given week an Amazon-exclusive author could outsell an indie who is "wide," but the "wide" author might hit the list while the Amazon-exclusive author doesn't.

Hitting the Lists
-Many indies attempt to hit the USAT list by putting a book, or more often, a boxed set, on sale, and stacking as many promotional efforts as possible leading up to and during a given week.
-Some authors lose lots of money in aggregate in the attempt to "earn the letters."
-Some authors have hit the list with multi-author boxed sets, in which all the authors combine their promotional efforts and resources. This is more challenging than it once was because Bookbub currently does not promote multi-author sets.
-Watch out for sketchy boxed set promoters. One author in particular has been under fire recently for using a combination of legitimate and unethical/TOS violation practices. Know what you're getting into before you join a boxed set.
-Not all bestsellers are created equal. Since these lists are based on unit sales (with the caveat that NYT curates), there's no distinction, at least on USAT and Amazon, between a twenty-book set sold at 99 cents and a single book sold at full-price.

What does it mean to hit a bestseller list?
It depends on the author. For some, it's a bucket list item or a level of achievement. For others, it's all about being able to put "New York Times (or USAT) Bestseller on their book covers. One indie author with whom I'm familiar puts "New York Times Bestseller" on every cover, in such huge letters that it dwarfs the title an author name. Do readers care? Probably not many, but I'm sure some take notice.

Is it worth spending thousands of dollars in order to hit the list?
It depends on who you ask. Some authors say they saw their sales increase once they could stamp the Bestseller label on their work. Others say it didn't pay for itself.
Some authors say it was worth it just to be able to call him/herself a "NYT Bestseller." Other authors, usually privately, say they feel like impostors because of the way in which they hit the list.

One thing I am certain of is the "Bestseller" moniker becomes more ubiquitous, and less valuable every day. If you do things the write way: a great cover, an engaging product description, a well-written sample, an appropriate price point, and effective marketing strategies, you don't need the "Bestseller" label in order to succeed.

Book Giveaway!

I'm giving away two signed ARCs of my forthcoming novel, Neptune's Key, on Goodreads. Giveaway ends May 29.



Goodreads Book Giveaway

Neptune's Key- A Tattered Sails Novel by David Debord

Neptune's Key- A Tattered Sails Novel

by David Debord

Giveaway ends May 29, 2017.
See the giveaway details at Goodreads.
Enter Giveaway

Wednesday, May 17, 2017

To Indie Press, or Not to Indie Press?

Listen to the companion podcast episode.

Yesterday, I was reading another of Chuck Wendig's fantastic "rambles" about the publishing industry. One of his topics was "Beware the Small Press." He isn't entirely opposed to small press, but he advises the author to proceed with caution. Given that many indies go the small press route, I thought it a topic worth exploring.

What is an indie/small press? 
They come in all shapes and sizes. For the purpose of this article, I'm going to say it's almost any press not associated with the "Big 5" and not any of the top-notch houses like Angry  Robot.

Why do some authors choose to publish with a small/indie press?
There are many reasons. Some good, some bad. A few common ones are:

-The author has failed (or chosen not) to secure a literary agent, and most small presses will accept submissions directly from authors.
-The author doesn't have the money to hire a cover artist, editor, book formatter...
-The author doesn't have the requisite entrepreneurial spirit or aptitude to independently publish.
-The author just wants to write.
-The author is independently published, but also works with small press in order to reach new readers, or to grow as an author by working with a different set of professionals.
-The author doesn't know the difference between a Big 5 publisher and any other publishing house (this happens more often than you'd think.)
-The author just wants the validation of "being a published author."
-The author has been taken in by a vanity press masquerading as a legitimate company.
-The author is in a hurry to see her or his book published by somebody, anybody.
-The author has done her/his research, found a reputable small press that does a good job, and is enjoying a positive working relationship with that press.

What can go right?
In an ideal situation, there can be many positive aspects to working with a small press.
-The small press bears the entire financial burden.
-Handles all the aspects of the publishing process.
-Highly responsive to the needs of the author. You don't have to wait days or weeks for a reply.
-The author has greater involvement in the creative process.
-Faster publishing schedule.
-Has cultivated relationships with capable professionals who will make your book as good as it can be.
-Has access to channels to which you might not easily gain access, or might not be able to access at all.
-Has a brand identity and an established audience.
-Will put time money into marketing your book.
-Flexible, willing and able to try new things.


What can go wrong?
Lots of things.
-The publisher has good intentions but doesn't know what it's doing.
-The publisher lacks the resources to do a quality job.
-The publisher ends up doing nothing for you that you couldn't have done for yourself.
-The publisher goes out of business (this happens all the time), or mismanages its money and can't pay you (also happens all the time) and sometimes won't release rights to your book even when it hasn't fulfilled its contract.
-The author's book wasn't very good, but (s)he stumbled upon a publisher that would publish just about anything.
-The publisher does a poor job on your book.
-The publisher sets the price of your book very high, counting on making money from sales to your friends and family. Perhaps it even pushes you to buy author copies at a ridiculous price, or tries to sell you "publishing packages."

What to look out for.
There's no complete answer to this question, but I'll hit a few high points:
-How long has the press been in existence?
-What is its reputation? A simple internet search should turn up problems if there have been any. And if there are problems, please don't ignore them. Don't tell yourself, "I'll be the exception."
-How well are its books selling? Know what the sales ranking mean and check to see how their books are doing.
-Assess the quality of their product. Good cover? Good editing? Is the price in line with other indie books?
-What does this press actually have to offer me? Am I certain that I want to give them up to half of my royalties for a job I can do myself?
-Has this press ever asked me for money?
-Has this press ever said, "We normally charge X but we'll publish you for free because we believe in you."

In summary
Overall, I think that the right independent press can benefit an author. If you've been following this blog and podcast, I suspect you have the indie publishing spirit, and are probably leaning toward doing it on your own. That's my preference, but I believe the right small press situation can be a good supplement to your indie publishing career.

Finally, examine your goals and your reasons for publishing. If, deep down, you want the validation of "being published" or you want to see your books on shelves, don't go with the average indie press. Keep aiming for traditional publishing.


Wednesday, May 10, 2017

Indie Publishing Success- Pre- and Post-Launch Checklist


Listen to the companion podcast episode

What are the steps you take when preparing for a book launch, and then launching your new book? Here is an overview of some of the things I and other authors do.



Well in Advance

Know your genre/subgenre and know what’s selling, particularly among indie authors. Pay close attention to: book cover, product description, and pricing. (Many authors with big publishing houses sell books on their name and publisher’s marketing clout and not as a result of their book cover, etc. No harm in looking at those too, but definitely pay attention to the indies.)
 
Get a good book cover. This will be a great promotional tool. If your budget is limited, check out some of the great sites that offer pre-made covers. If even those seem to expensive, save your pocket change, skip the coffee and fast food, look for ways to cut corners. Your cover is worth the investment.

Familiarize yourself with the categories and subcategories that will be the best fit for your book. Look for those where you’re likely to get visibility. Don’t go for crowded categories that are dominated by the bestsellers.

Preorder or not? There are valid arguments on both sides of the discussion. I won’t rehash them here, but if you go with a preorder, take the time to understand how preorders work on the various sites, and definitely don’t miss your deadline, especially with Kindle. In fact, it’s probably best if you don’t even get close to your deadline before you upload your final manuscript.

Send out ARCs to review sites. I don’t believe these lead to many sales, but it doesn’t hurt. It can also provide you with promotional material (quotes that you can use on the product page, teasers…)
 
Solicit blurbs/endorsements from other authors. These aren’t crucial, but, like reviews, they can provide promotional materials, and can also be a source of keywords if you include them with your product description.         

Sparking Interest

Send book to street team/ARC group

Set up an ARC giveaway on Goodreads.

Post teasers on Facebook author page
  •             Cover reveal
  •             Announce release date
  •             Post cover image and synopsis
  •             Preorder link if appropriate
  •             Author blurbs/endorsements
  •             Snippets from the book
 Post a preview of the first chapter on website

Shortly before release, give away a few ebook copies of the previous book in the series. If the new book is not part of a series, you can give away something else, though that’s not nearly as likely to spark excitement in the new book. Don’t give away copies of the new book (except for your street team/ARC group.)

Create a custom header for your Facebook author page, using the book’s cover art. Include the title and the date it’s scheduled for release.

Depending on timing and your relationships with other authors in your genre, you might be able to plan a “newsletter swap” in which each promotes the other’s new book. This isn’t something I’d recommend unless you have a close working relationship with the author, and your books are in the same subgenre.

“Housekeeping”

Your new book should include: an invitation to sign up for your newsletter, an invitation to buy another of your books, and a hyperlinked list of your available books. Invitations to buy book/join mailing list should be immediately after The End and on the same page- not after a page break, otherwise the reader is unlikely to see them. Some authors also like to put a newsletter invite in the front matter. There’s no harm in that, but due to the way reading apps work, there’s a good chance it won’t be seen.

If your book is Kindle-exclusive, use “SmartUrl” to create hyperlinks. If your book is “wide,” use Books2Read. That way you can use the same set of hyperlinks for every vendor (or you can use SmartURL for Kindle and Books2Read for everything else.)

 Make good use of your keywords on Kindle. Utilize them to get your book into as many (appropriate) categories as possible. You don’t have to limit yourself to the two you select.

Remember that your product description can be used to generate keywords. If you have a blurb/endorsement/review snippet that compares your work to that of a popular author, you may include that in your product description as “Praise for…” and that author’s name becomes a keyword attached to your book.

Add the new book to:
  • Website
  • “Books by” lists in other books
  •  Claim the book in Author Central
  • Catalog list on Amazon author page
  • If you use other Author Central Features, such as “From the Inside Flap” or “From the Back Cover” to list your books, add the book there, too. 

If book is part of a series, go to the previous book in the series and, immediately after The End, add an invitation (with hyperlink) to buy the new book.

If book is published “wide,” consider using a service like Books2Read to set up a single landing page with links to all the different vendors.

If book is Kindle-only, create a SmartUrl to create a single hyperlink that will automatically redirect customers to the Amazon store for the country in which they reside.

When Kindle and paperback versions have appeared on Amazon, you might have to contact KDP and request that the two versions be linked. It’s supposed to happen automatically, but it often doesn’t.


Launch Prep

Choose your price. Some authors like to launch at a reduced price as an added incentive. If your regular price is $4.99, consider launching at $2.99 and advertise it as 40% off the regular price (or go $3.99 and advertise it as 20% off.) Emphasize it’s a limited time offer.

Set up a newsletter announcement
  • Snappy bit of copy about the book.
  • Include cover image
  • Synopsis
  • Endorsements
  • “Buy” links
  • Make sure to have something else of interest in your newsletter; not just “buy my book.” I like to include a giveaway of some sort, “Coming soon” info on books in-progress, and maybe something else interesting (anecdotes, autobiographical bits…)
 Update the appropriate part of your website/blog with appropriate info.

Schedule Facebook post(s.)
I like to post the cover and synopsis as the main post, and then post links as replies. Facebook seems to suppress posts with links unless you pay to boost the post.
I restrict almost all of my publishing-related posts to my author page, but I make an exception for new releases and special sales.

Plan/Schedule Tweets
            Twitter isn’t particularly effective for book sales, but there’s no harm as long as you don’t overdo it. Consider separate tweets for various vendors and use the appropriate hashtags for the vendor and genre. You never know- you might get some retweets.
            Spread the tweets out so you don’t overdo it.
            Include the cover image or other visual with your tweet- not just the link.

Plan/Create/Schedule Ads
            I’ve been experimenting with AMS ads with enough results to feel like they’re worthwhile. I like to use custom keywords, with author names and book titles in my genre, and titles of popular new and upcoming releases.
            If the book is part of a series, it might be worthwhile to also run ads for previous books in the series.
            Facebook ads- I’m seeing less and less ROI, but I still work a FB ad into my launch strategy.
            If you publish through Kobo, check your dashboard for advertising options.
           

Launch Day and After

Post the announcement to your social media, website, etc…

Newsletter blast(s)- I prefer to split my list into segments and send out announcements either on three-four consecutive days, or every-other day. Having several consecutive days of good sales helps your rankings more than one very good day and then nothing.

Ads- I like to run AMS ads from the start and save the Facebook ad until the book has been out for a few days.  Monitor the results of your AMS ads and increase the “bid” amounts for keywords that seem to be performing well.

Bookbub new release announcement- If you have a Bookbub author profile with followers, you can “claim” your new book and Bookbub will send out a new release announcement shortly thereafter. I like to wait until all of my newsletter blasts have gone out, and then claim the book in Bookbub a few days after that.

If your book is part of a series, run a special promotion on a previous book in the series. I recommend waiting until post-launch sales have slowed down. If you can’t schedule a Bookbub ad, look at sites like Freebooksy, Robin Reads, Book Barbarian, or a Bookbub sponsored ad (if you’ve been approved.)

That's the basic overview. If you have other suggestions, please share them!

Wednesday, May 3, 2017

Indie Publishing Success- Pre-Publishing Decisions

Click here to listen to the companion podcast episode

You've written a great book. You've laid all the groundwork. Your plans are in place. Now it's time to publish. It's time to make some decisions.

Ebooks

Kindle Unlimited vs Going Wide
  •  Kindle unlimited requires Amazon exclusivity but can be an excellent revenue stream
  • Risk of losing your account
  • Know your genre
  • See how others are doing
  • Limited "wide" periods?
Other vendors:
  • iBooks 
    • Have to be a Mac user?
  • Nook 
    • Poor customer service experiences
    • Lack of commitment?
  • Kobo Writing Life
    • Can take advantage of advertising options
    • New lending program
    • Sales reporting limitations
  • Google Play 
    • Discounting policies
    • Open to new authors?

Distributors 

The advantage of these services is you can upload a single set of files and they will publish it to a variety of platforms on your behalf. The trade-off is  you will get a slightly lower royalty, although at certain price levels you might make out better.

  • Draft 2 Digital 
    • Easy to use
    • Responsive
    • Fast
    • Can go free to Nook
    • Sometimes get better Nook customer service through D2D
    • Reaches a few vendors others do not
    • Advertising and promotions
    •  
    •  
  • Pronoun
    • Distributes to five majors including Amazon
    • Better Amazon royalty on books below $2.99 and above $9.99
  • Smashwords 
    • Also reaches a few vendors D2D does not
    • Improving
    • Variable compensation depending on the type of purchase.
    • Doesn't support co-authors
Selling from your website
  • Limited success. 
  • The average customer values convenience over price. 
  • Better for non-fiction?
  • Sites
    • Selz
    • Gumroad

Paperbacks

Likelihood of  selling into bookstores.

Createspace
  • Free setup and revisions
  • Pricing for expanded distribution
  • No flexible discounting
  • No annual listing fees 
  • Poor quality gloss covers

Lightning Source
  • Expensive setup and revision fees
  • Flexible discounting
  • Annual listing fees
  • Good quality product 
  • Makes returns possible, but...
  • Only accepting publishing houses?

Ingram Spark
  • Accepting individuals
  • Very similar to Lightning Source
  • Lower setup fees. Coupons.
  • Same listing fees.
  • Fewer discounting options. 
KDP
  • Still developing, working out the kinks.
  • Doesn't seem to be as good a deal as CreateSpace

Nook Press
  • Run in the opposite direction as fast as you can 
  • Overpriced, no distribution, not a good deal.
  • Basically an expensive printing service.

Audiobooks

ACX 
  • Connects publishers with narrators/producers
  • Distributes to Audible, Amazon, iTunes
  • Whispersync program
  • Pay for production vs Royalty Share
  • Exclusive vs Non-exclusive
  • May provide your own files
  • Flat percentage
  • Promo codes
  • No gifting
  • Problem finding narrators
Other distributors are cropping up if you have your own files to provide. No opinions on any of them. Do your research.

Translations

Babelcube
  • Works like ACX.
  • Is the translator any good?
  • Promo/marketing limitations.