Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts

Wednesday, June 21, 2017

$100K Authors

Listen to the companion podcast



 
Written Word Media recently published a survey titled "What Makes a $100k Author?"

You can read the write-up here.

They shared 8 major conclusions:

1- The vast majority of  authors earning $100k per year or more have been writing for more than three years.

88% of the $100k authors have been at this for over three years. No surprise here. It takes time to build a catalog and and audience. This shouldn't be construed as a negative; only that patience is often required.

While I technically started self-publishing in 2004, the first several years were paperback-only, and then paperback plus Kindle in its nascence. If you include the first year Kindle was open to indie publishers, I was in my fourth year when I had my first $100k year. I was working full-time and busy with family and graduate school at the time, so it's doable even if you have a day job.

2- The majority of $100k authors responding to the survey were indie authors.

72% were pure indie, 28% were hybrid, although the numbers are skewed by the fact that almost all the respondents to the survey were pure indie. None of the traditionally published authors who responded to the survey earned $100k last year.

Struggling writers often like to dismiss the accomplishments of successful hybrids by saying, "You springboarded off your trad-pub career." These results demonstrate that pure indie is a viable path to publication.

3. The Wide vs Exclusive debate continues

Survey data indicates that 64% of 100k authors were in KDP Select, and the other 36% were "wide." This would seem to indicate that Select is the more viable path, but it's difficult to draw that conclusion without knowing other factors. For example, some genres perform much better  than others in Select. What we can say is that both are viable avenues to success, and KDP Select performed well for many authors in 2016.

4. $100k authors pay for cover art, but they don't pay through the nose


42% of authors earning less than $100k spent between $0 and $50 per book cover.
88% of $100k authors pay more than $50 per book cover
68% of $100k authors pay $250 or less for a book cover.
Only 20% of $100k authors paid more than $500 for a book cover and none spent over $1,000.

Some of this is chicken-and-egg. As an author earns more from publishing (s)he can afford better cover art. That said, I recommend at minimum budgeting for affordable, pre-made covers.

5. $100k authors use professional editors, but they don't pay as much as you might think

96% of $100k authors paid for professional editing.
44% of lower earning authors paid nothing for editing.
52% of $100k authors paid between $250 and $500 for editorial services and 68% spent $500 or less.
Only 12% of $100k authors paid $1,000 or more for editorial services.

These data points ruffled a lot of feathers among editors and elicited a variety of angry and or condescending comments. A few thoughts:

All authors don't need the same sorts of editorial support. Depending on the skills you're bringing to the table, your knowledge and experience, and the expectations of your readership, you might not need things like developmental edition. If you write clean and really know the rules, you might not need several rounds of proofing.  I've corresponded with and seen early drafts from successful trad-pub authors who have great ideas, tell fairly good stories, write engaging characters, but absolutely need that kind of support. They leave plot threads hanging, have continuity errors, are clueless about spelling, grammar, and usage. It all depends on what you need.

The average reader in most mainstream genres is looking for a clean, entertaining read with engaging characters. Most will forgive a few errors. Many won't even recognize most errors. (And an annoying few will complain about errors that aren't actually errors.) That's not to say you shouldn't try to make your book the best it can be, but you can enjoy commercial success without paying through the nose for the most expensive editing options.

6. $100k authors handle their own marketing, and use paid techniques

59% of $100k authors purchased paid advertising from Facebook, Amazon, and discount newsletters, as did 45% of lower earning authors. 
Lower-earning authors made 50% more in-person appearances/promotions/signings than did $100k authors.
Lower-earning authors made greater use of book giveaways than did $100k authors.

While the article did not specify, I think it's fair to assume that, while the percentages of authors using paid advertising are not substantially different, the dollars spent are likely skewed heavily in the direction of $100k authors.

It's interesting to me that two strategies I've found ineffective for generating sales (in-person appearances and book giveaways) are favored more by lower-earning authors. 

7.  A surprising number of $100k authors still have a day job

20% of $100k authors reported having a day job to help support their writing.

Earning $100k from writing isn't all it's cracked up to be. Taxes are a killer. You have no health insurance. Those two factors alone take a large chunk out of your income. If you're paying for cover art, editing, and advertising, that's a consideration as well.

There are, of course, other reasons to keep a day job. Some people enjoy their job and don't want to quit. Others like the security of a steady paycheck, given the uncertainty of publishing as a vocation. Some people don't like the solitary nature of the writing life, and enjoy having a job to go to. The findings illustrate that you can have both a job and a successful writing career if you wish.

8. The more hours you spend writing, the more successful you will be.

$100k authors spend 46% more time writing than lower income writers, yet they devote an almost identical amount of time to marketing (12 hours a week compared to 10.)

The average $100k authors has 33 books published, compared to 7 for lower earning authors.

-This probably doesn't need explanation. More books=more products for sale=more income. 
-An author needs to earn a little less than $274 a day to make $100k. That's a lot more attainable with 33 books than it is with 7.
-Before you freak out and wonder "How am I going to earn $275 a day?" remember- your new releases will have substantial sales at launch, meaning your back-catalog doesn't need to earn nearly that much a day, especially if you are publishing regularly.
-Remember that $275 figure includes all formats: ebook, audio, paperback.
-The article doesn't specify, but based on my observations, it's likely that the $100k authors with 33 or more titles are writing a lot of novellas and short novels. They aren't cranking out 30+ epic fantasies.


In summary:

I'm a big believe in patience and determination. It might take time to achieve commercial success, but you can do it. And, you can do it without breaking the bank. Don't be discouraged by those who will tell you that you have to spend thousands on cover and editing for your first book or subsequent books. Depending on your strengths, skills, and resources, you can work within a budget and improve your product as you go. Keep writing, and keep striving to improve.








Wednesday, May 17, 2017

To Indie Press, or Not to Indie Press?

Listen to the companion podcast episode.

Yesterday, I was reading another of Chuck Wendig's fantastic "rambles" about the publishing industry. One of his topics was "Beware the Small Press." He isn't entirely opposed to small press, but he advises the author to proceed with caution. Given that many indies go the small press route, I thought it a topic worth exploring.

What is an indie/small press? 
They come in all shapes and sizes. For the purpose of this article, I'm going to say it's almost any press not associated with the "Big 5" and not any of the top-notch houses like Angry  Robot.

Why do some authors choose to publish with a small/indie press?
There are many reasons. Some good, some bad. A few common ones are:

-The author has failed (or chosen not) to secure a literary agent, and most small presses will accept submissions directly from authors.
-The author doesn't have the money to hire a cover artist, editor, book formatter...
-The author doesn't have the requisite entrepreneurial spirit or aptitude to independently publish.
-The author just wants to write.
-The author is independently published, but also works with small press in order to reach new readers, or to grow as an author by working with a different set of professionals.
-The author doesn't know the difference between a Big 5 publisher and any other publishing house (this happens more often than you'd think.)
-The author just wants the validation of "being a published author."
-The author has been taken in by a vanity press masquerading as a legitimate company.
-The author is in a hurry to see her or his book published by somebody, anybody.
-The author has done her/his research, found a reputable small press that does a good job, and is enjoying a positive working relationship with that press.

What can go right?
In an ideal situation, there can be many positive aspects to working with a small press.
-The small press bears the entire financial burden.
-Handles all the aspects of the publishing process.
-Highly responsive to the needs of the author. You don't have to wait days or weeks for a reply.
-The author has greater involvement in the creative process.
-Faster publishing schedule.
-Has cultivated relationships with capable professionals who will make your book as good as it can be.
-Has access to channels to which you might not easily gain access, or might not be able to access at all.
-Has a brand identity and an established audience.
-Will put time money into marketing your book.
-Flexible, willing and able to try new things.


What can go wrong?
Lots of things.
-The publisher has good intentions but doesn't know what it's doing.
-The publisher lacks the resources to do a quality job.
-The publisher ends up doing nothing for you that you couldn't have done for yourself.
-The publisher goes out of business (this happens all the time), or mismanages its money and can't pay you (also happens all the time) and sometimes won't release rights to your book even when it hasn't fulfilled its contract.
-The author's book wasn't very good, but (s)he stumbled upon a publisher that would publish just about anything.
-The publisher does a poor job on your book.
-The publisher sets the price of your book very high, counting on making money from sales to your friends and family. Perhaps it even pushes you to buy author copies at a ridiculous price, or tries to sell you "publishing packages."

What to look out for.
There's no complete answer to this question, but I'll hit a few high points:
-How long has the press been in existence?
-What is its reputation? A simple internet search should turn up problems if there have been any. And if there are problems, please don't ignore them. Don't tell yourself, "I'll be the exception."
-How well are its books selling? Know what the sales ranking mean and check to see how their books are doing.
-Assess the quality of their product. Good cover? Good editing? Is the price in line with other indie books?
-What does this press actually have to offer me? Am I certain that I want to give them up to half of my royalties for a job I can do myself?
-Has this press ever asked me for money?
-Has this press ever said, "We normally charge X but we'll publish you for free because we believe in you."

In summary
Overall, I think that the right independent press can benefit an author. If you've been following this blog and podcast, I suspect you have the indie publishing spirit, and are probably leaning toward doing it on your own. That's my preference, but I believe the right small press situation can be a good supplement to your indie publishing career.

Finally, examine your goals and your reasons for publishing. If, deep down, you want the validation of "being published" or you want to see your books on shelves, don't go with the average indie press. Keep aiming for traditional publishing.


Wednesday, May 3, 2017

Indie Publishing Success- Pre-Publishing Decisions

Click here to listen to the companion podcast episode

You've written a great book. You've laid all the groundwork. Your plans are in place. Now it's time to publish. It's time to make some decisions.

Ebooks

Kindle Unlimited vs Going Wide
  •  Kindle unlimited requires Amazon exclusivity but can be an excellent revenue stream
  • Risk of losing your account
  • Know your genre
  • See how others are doing
  • Limited "wide" periods?
Other vendors:
  • iBooks 
    • Have to be a Mac user?
  • Nook 
    • Poor customer service experiences
    • Lack of commitment?
  • Kobo Writing Life
    • Can take advantage of advertising options
    • New lending program
    • Sales reporting limitations
  • Google Play 
    • Discounting policies
    • Open to new authors?

Distributors 

The advantage of these services is you can upload a single set of files and they will publish it to a variety of platforms on your behalf. The trade-off is  you will get a slightly lower royalty, although at certain price levels you might make out better.

  • Draft 2 Digital 
    • Easy to use
    • Responsive
    • Fast
    • Can go free to Nook
    • Sometimes get better Nook customer service through D2D
    • Reaches a few vendors others do not
    • Advertising and promotions
    •  
    •  
  • Pronoun
    • Distributes to five majors including Amazon
    • Better Amazon royalty on books below $2.99 and above $9.99
  • Smashwords 
    • Also reaches a few vendors D2D does not
    • Improving
    • Variable compensation depending on the type of purchase.
    • Doesn't support co-authors
Selling from your website
  • Limited success. 
  • The average customer values convenience over price. 
  • Better for non-fiction?
  • Sites
    • Selz
    • Gumroad

Paperbacks

Likelihood of  selling into bookstores.

Createspace
  • Free setup and revisions
  • Pricing for expanded distribution
  • No flexible discounting
  • No annual listing fees 
  • Poor quality gloss covers

Lightning Source
  • Expensive setup and revision fees
  • Flexible discounting
  • Annual listing fees
  • Good quality product 
  • Makes returns possible, but...
  • Only accepting publishing houses?

Ingram Spark
  • Accepting individuals
  • Very similar to Lightning Source
  • Lower setup fees. Coupons.
  • Same listing fees.
  • Fewer discounting options. 
KDP
  • Still developing, working out the kinks.
  • Doesn't seem to be as good a deal as CreateSpace

Nook Press
  • Run in the opposite direction as fast as you can 
  • Overpriced, no distribution, not a good deal.
  • Basically an expensive printing service.

Audiobooks

ACX 
  • Connects publishers with narrators/producers
  • Distributes to Audible, Amazon, iTunes
  • Whispersync program
  • Pay for production vs Royalty Share
  • Exclusive vs Non-exclusive
  • May provide your own files
  • Flat percentage
  • Promo codes
  • No gifting
  • Problem finding narrators
Other distributors are cropping up if you have your own files to provide. No opinions on any of them. Do your research.

Translations

Babelcube
  • Works like ACX.
  • Is the translator any good?
  • Promo/marketing limitations.

Wednesday, April 19, 2017

Beware of the Bitter Author

Listen to the Companion Podcast Episode

One of the phenomena you'll encounter on your publishing journey is the Bitter Author. The Bitter Author will try to discourage you, give you bad advice, or make you feel badly about your publishing path. Don't let it happen. Keep your guard up, your eyes open, and focus on your goals.

The Bitter Author comes in many shapes and sizes. A few I've encountered include:

"Former Big 5" Author:
This author was once published by a major house, but no longer is. Maybe he still has an agent, but probably not. He might even have had a movie option once, but that didn't pan out. No one remembers his name or his debut novel. Maybe he had some short fiction sales back when people read things like magazines, but no one remembers those either. Now, he clings on, published by a variety of small houses. His books still don't sell enough for him to make a living because he's the same writer whom all the resources of a big publishing house couldn't turn into a commercial success.

Former Big 5 Author is an angry man. He thought he'd reached the summit of Everest when he signed his first deal, but soon discovered all he'd received were directions to the base of the mountain, and all his sherpas quit on him when they saw he wasn't that great a climber. Now, he wraps his disappointment in layers of condescension. He bemoans the "unedited crap" being churned out by "no talent" self-publishers. He won't hear a word otherwise, and mocks and belittles anyone who disagrees with him. Why does he do this? Maybe he believes he'd be selling books if only it weren't for all these cheap, crappy, self-pubbed titles. Mostly, though, he resents seeing others succeed where he failed.

How do we handle Former Big 5 Author? Don't engage. Nothing you say will ever change his mind. And even if you could, what would it gain you? Just smile as he flails away online, spewing his bile, and then get back to writing.

"The Gatekeeper Let Me In" Author:
This author hasn't made it to Big 5 publishing. Maybe she came close, but couldn't sell her manuscript. Maybe she never managed to secure an agent. Maybe she never even tried for one reason or another. This author is published by a small, perhaps tiny, digital/POD press. Like Former Big 5 Author, her books don't sell. She deals with this by clinging to the fact that an "editor" deemed her work worthy of publication. This, she claims, elevates her work above the flood of poor-quality books that are published only because digital publishing has made it possible to bypass the gatekeepers. Meanwhile, it never occurs to her that her "publisher" only exists because of digital publishing opening these gates, and were it not for digital publishing, she'd be unpublished.

The Gatekeeper Let Me In Author is another whom we can ignore. If she wants an editor of some stripe to affirm her work's worth, that's fine. We'll let the readers affirm our worth.

"Failed/Failing at Indie-Publishing" Author
 This author generally comes in two flavors:

"Did Everything Wrong" Author
This author dipped his toe into the waters of self-publishing, but he didn't take the time to learn anything about the best practices. Maybe he tried publishing some short fiction. Maybe he published a few disconnected works. Maybe he didn't identify niches with the best sales potential. Perhaps he had a crappy book cover. You name it, he did it wrong. Why did he do it? Impatience? Arrogance? Maybe he's traditionally-published and is accustomed to being taken care of. In any case things on the indie side aren't working out for him.

Did Everything Wrong Author will get on your nerves. It might be mild comments like, "It might work for some, but it doesn't work for me." In his more annoying form, he'll visit self-publishing forums in search of a magic bullet to make his books sell. Whatever you do, don't suggest that he start from the ground up, utilizing best practices. He'll get indignant and accuse you of "lecturing" or "straying off-topic." If you want to give him a gentle nudge in the direction of resources that would be helpful to him, feel free. Just don't expect it to make a difference.

"Just Can't Write" Author
This is the toughest one of all. Some people are simply bad writers. I'm not talking about genre differences or subjective tastes. Some writing is objectively bad. Other authors can write clean, perhaps even quality prose, but can't tell a story. Some can't write engaging characters. Others write dialog so bland that you sometimes can't differentiate it from the narrative voice.

This author might have actually done everything "right" but when push came to shove, readers tried her work and didn't like it. It's not that she sells zero books. She probably has a handful of readers- just enough to convince her that it's not her writing that's the problem.

Just Can't Write Author is angry. She's followed all the publishing advice, and she's still not selling books. She's convinced the quality of her writing is not the problem, so the issue must be that all the publishing advice she followed is wrong. Why did some succeed where she didn't? Luck. That's all. She lurks on sites like Kboards, itching for a fight, contradicting the advice of commercially successful writers, giving bad advice, seconding bad ideas, and saying things like, "Don't let anyone tell you your (terrible) idea won't work!" Why does she do this? Because, deep down, she doesn't believe anything other than luck makes a difference, so what's the harm in trying out strategies that have failed again and again? Good luck will overcome bad practices, and all the best practices in the world won't overcome bad luck.

Just Can't Write Author shouldn't be ignored. There's no point in engaging her directly- her mind isn't going to change. What you can do is offer good advice to the people she's guiding down the wrong path. They might not know any better.

So who isn't a bitter author?
There are lots of "Positive Authors" out there at all stages of their careers. In fact, I've encountered very few bitter authors. The common denominator? On some level, they're happy with where they are. Maybe they're indie authors earning a nice living; perhaps they've got a nice career going with a traditional publisher; could be their work is being recognized for its literary merit; maybe they're just happy to be published and are having a great time; or, maybe they aren't anywhere near where they want to be, but they still have hope and have surrounded themselves with the right sorts of people to help them on their way.

"Positive Authors" are secure in the knowledge that they are responsible for their own careers and the opinions of the bitter among those they encounter don't matter in the long run.

Focus on the positive influences. Don't let the bitter authors into your life.